Audrey Flack encourages our inner beauty.

Marilyn (Vanitas) by Audrey Flack

1977, Oil over acyclic on canvas, 96 x 96 in.

Collection of the artist

I can't believe I haven't done an Audrey Flack, she is one of my favorite artists. Audrey Flack is extremely talented and works and many many styles, but my favorite can be seen by the work above- photorealism. In a nutshell, photorealist's create images that look as real as an actual photograph. It began in the 1970's, and Audrey Flack is part of the first wave of artists to use the style. Pretty cool because she is a woman and it's pretty dang hard to get recognized in the art world if you are a female and don't do something with outrageous feminist undertones. Another thing to note, is that photorealism stemmed out of Pop Art thus you get a lot of bright colors, reactions to the media, and iconic symbols. I just like photorealism because it's really amazing how realistic it is. Time and time again I am looking at a photorealist piece thinking it is a photograph and then casually glance at the medium and think, "WHAT?! This is paint?!"

Marilyn (Vanitas) is one of Audrey's more famous pieces. A few things to explain. Vanitas is a old form of symbolic painting. They did it a lot in Europe in the 16th and 17th centuries. It is associated with still-life painting, which is also rich in symbols. Each still-life piece usually centers around a few main themes: death, life, and pleasure. Basically, "Vanitas" refers to a visual expression of the "vanities" in life.

Tearing apart Audrey's Marilyn (Vanitas) you can assume quite a few things. First, there are a few symbols of death: the hourglass, the calendar, and the clock all refer to the passing of time. Marilyn Monroe was a sex symbol and thought to be the quintessential representation of beauty, but Flack includes lipstick, a compact, perfume, and jewellery all to show that beauty is fleeting. The fruit cut open usually is some type of symbol of death as well, as once you cut it open it will rot away eventually. The paint brush either symbolizes blood, as in death, or the fact that her life was short-lived, like an unfinished painting. The reflection of the image in the mirror is not precise, which is a visual commentary to the imperfections in Marilyn and more importantly, that beauty is not everything. Audrey also made the piece personal, as she included an image of her and her younger brother when they were young in the center of the composition.

There are a ton more symbols, but you get the idea. I guess you might be thinking, why do I love a picture filled with so many death related symbols? Well, I suppose I haven't made the good in this piece prevalent. Marilyn is a commentary on one of the most well-known icons of beauty- Marilyn Monroe. Though many thought she had it all, she died at a very young age from a probable suicide. Audrey's piece suggests that beauty is definitely short-lived and doesn't always lead to happiness. I think a lot of us, especially in today's world of plastic surgery, tend to forget this. So I loved Audrey Flack not only because her work is just amazing, but because she inspires deep thought on ideas that really matter.

Audrey Flack encourages our inner beauty.

Andy Warhol was just plain ironic.

Marilyn Monroe by Andy Warhol, 1967

All right people, today is the day! Today is the day Andy Warhol is finally given the glorious light he deserves. I am BIG Warhol fan but, not for the traditional reasons. Sure, his art is pretty cool, different, unlike his time, the whole bit- BUT, the reason I love him perhaps comes from my brief encounter with being a Psychology major. Warhol is insane, seriously insane- but THAT my friends is the beauty of good 'ol Andy, and THAT is just why I love him!

There are so many Andy works to choose from, but Marilyn conveys my point the best. Let me explain. Andy was literally OBSESSED with celebrities, but the whole idea of his silkscreen stuff was to reproduce the same image over and over until it seems as if he is mocking it. If you see something once, it has meaning, but if you see it like 500 times, not so cool and meaningful anymore (the only exception to this would be Disneyland of course). Andy didn't just like the whole Hollywood scene, he was so insanely fanatical about it that it consumed his every thought. If you look at all his images, I would say like 70% of time it has SOMETHING to do with being famous, money, Hollywood, or status- Andy was just uncontrollably into that.

On top of all that, he was pretty weird guy. Some facts: he had really bad scaring on his face, some say because of acne and some say because he had a disease as a child that caused skin blotchiness- either way he had been preoccupied with appearance ever since he was really young. He wore like an intense amount of face makeup, wigs, and always had sunglasses on. He actually looks a little bit haunting/creepy if you ask me, but I still love him! There’s a book, The Andy Warhol Diaries, that is just this insanely huge collection of entries (seriously, this is a THICK book) with the majority talking about his fixation with Hollywood.

I guess the main point I am trying to make is Andy Warhol was this guy who was so obsessed with celebrities, money, and fame yet in most of his work he basically mocks the whole idea of it. I will definitely have more entries on Warhol because there is some much more I want to say about him, but for now I will leave you with this…

Andy Warhol was just plain ironic.