M.C. Escher's a good thing.

 

Relativity by M.C. Escher 

1953, Lithograph, 10.9 in × 11.5 in

The Official M.C. Escher Website 

I started my obsession with art in 2nd grade when my elementary school teacher held up a Picasso and I was sold. Well shortly after I went to some museum and my Mom let me pick one postcard and I chose one with the M.C. Escher image above. Now all of this could very well be a dream as I am finding most of childhood "memories" are but, I am almost 95% sure I still have this postcard somewhere. The point is M.C. Escher captivated a 7 years old, so he must be good. 

Next to Salvador Dali, M.C. Escher seems to be an obvious favorite among marijuana users because his work is quite "trippy" but I am here to tell you that you don't have to smoke pot to love Escher, you can love him any old day! Escher has this ability to create these really insane images that you have to stare at for a minimum of ten minutes just to start and understand what the heck is going on. In my book, that's a pretty awesome artist because he doesn't make it hard to love art in fact, he makes it quite easy. 

A fun fact about Escher is that he was left-handed. I have always been extremely obsessed with left-handed people (and identical twins, but that's another story) so the fact that Escher was left-handed might not mean much to you, but to me it's fascinating. Left-handed artists are always awesome. Proof? Michelangelo, Leonardo da Vinci, and Durer.... yep, all left-handed!

I feel like this post has no point so let me sum it up. M.C. Escher was brilliant because you don't have to love art to love his art. Google him when you are bored and I guarantee you will have to spend at least fifteen minutes looking at all his images because you won't be able to stop. His work makes you think, "Oh what the?!" and I think that's a good thing. 

M.C. Escher's a good thing.

The Social Mirror is a reminder to be passionate.

The Social Mirror by Mierle Laderman Ukeles

New York City garbage truck with hand-tempered glass mirror and strips of mirrored acrylic

New York, USA, 1983, Ronald Feldman Gallery

Okay so I noticed on my posts that I have had The Social Mirror post as a draft for months. Why? I have no clue, but I definitely have previously started this post a ton of times and just never thought it was good enough to publish. Another reason could be because Mierle Laderman Ukeles is really freaking hard to find any information on and I usually research any artist I am going to feature beforehand. All I can tell you is that she is an artist that often deals with feminist topics and anything that has to do with maintenance but, what the heck does that even mean?

So why do I love The Social Mirror if I don't know crap about the artist? Well, for starters the way she created the message of the piece is pretty darn brilliant. To state the obvious, the picture above shows a regular garbage truck however on one side of the truck there is a mirror and the mirror is reflecting dozens of people. Okay, so what? WELL the brilliant factor here is in the title The Social Mirror. Ukeles is simply showing how we the people of the world are creating a ton of crap and garbage and we should be blamed for the effects of this crap and garbage. You could even go as far as saying that she believes we are a wasteful, un-resourceful, and lazy people for not taking some responsibility.

I like The Social Mirror for other reasons too. I suppose the main reason isn't because it speaks to my inner love for our environment (which to be honest I could be greener) but, it speaks to my need for passion in my life. Mierle Laderman Ukeles is extremely passionate about sanitation, so much so that she created The Social Mirror and bases most of her artwork on the topic. She has found something in life that sparks her and ignites her to do something.

I am always desperate to find this in my life. Besides art, I can't think of one hobby or one cause that I have been obsessed with for over a year. The Social Mirror encourages me to find something that consistently excites me and motivates me to do something.

Thus, The Social Mirror is a reminder to be passionate.

Norman Rockwell cherishes the simple.

Saying Grace by Norman Rockwell

1951, oil on canvas 

Featured on The Saturday Evening Post Cover November 24, 1951

It takes me way too much time to decide what Norman Rockwell to put on my blog, there is just so many that all deserve to be talked about. After about an hour of looking I chose Saying Grace. 

I often daydream about how Norman Rockwell chose the small details for his artwork. For example, the guy in the bottom left hand corner of Saying Grace is my favorite. You can't really see his expression, but you know he is staring at those praying. He was reading the paper, or pretending to, while drinking coffee and he just finished eating something... I like to think it was chocolate cake. 

I suppose the real reason why I love Saying Grace so much is it's ability to evoke this feeling of a calm simple America. I always get wrapped up in the go go go attitude and will be the first to admit that too much technology surrounds my day to day life. I long for a simple life where my family and I would go a diner, grab a slice of pie, and bow our heads to say grace. The best we do now is speed to the nearest coffee shop, go through the drive thru, and ask for a Venti Latte. 

I probably sound like I am 90 years old, but really I am just a girl who desperately tries to make my life simple and forget all the useless things I can get preoccupied with. So that's why I love Norman Rockwell because he knows just what I am after. 

Norman Rockwell cherishes the simple.